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Image associated with the article: The Meta-Project, Eisenman, and Capital: Lessons for Critical Architectural Practice
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The Meta-Project, Eisenman, and Capital: Lessons for Critical Architectural Practice

by Cem S. Kayatekin, Ujal Gorchu, Mikhail Frantsuzov pp. 133–151
How does Peter Eisenman’s conception of the meta-project relate to capital? Within much of the relevant discourse, the Eisenmanian ideal of achieving autonomy from politico-economic dynamics is underscored, with strict references to the notion of capital remaining absent from the literature. However in studying narratives articulated by Eisenman himself over the course of several lectures spanning several decades, a more integrated connection with capital begins to emerge—wherein Eisenman’s conception of capital not only shapes later stages of the meta-project evolution but even seems to partially shape the anti-phenomenological position, anchoring it in its formative stages. These findings offer a distinct counterpoint to the Eisenmanian meta-project, both in terms of its efficiency at achieving distance from politico-economic dynamics and, more fundamentally, in terms of its presumed apolitical anchoring. However, far from being solely applicable to a scholarly niche, these discursive wrinkles offer contemporary practitioners a proactive theoretical framework for how to structure meta-projects to better resist contemporary capitalistic intricacies, and avoid the paths which led Eisenman’s own meta-project being appropriated by dominant politico-economic dynamics.