Archive

Tag: Mies van der Rohe

Image associated with the article: Architectural Portraits: ῾The MIES Project’
Article Cross-Disciplinary Studies Subscribers

Architectural Portraits: ῾The MIES Project’

by Arina Dähnick pp. 9–30
This article wants to offer a brief overview of my experience as an architectural photographer and of “The Mies Project” in particular, on which I have been working on for the past few years. My approach to photography, based on the latest digital technology but also on the Leica M-System, is briefly outlined. In the past, the question was how to obtain information. Nowadays, the proper structuring of information is what really matters. Architectural Portraits, a small selection of which from “The Mies Project” are here presented, are “intimate gazes,” prioritizing the relationship of the detail of a building with its surrounding, the interaction between construction details, lighting and weather conditions. In this sense, Mies’ works not only have sparked my interest in architectural photography, but have been also the perfect poetic partner for my research.
Image associated with the article: Building Portraits
Article Theory Open Access

Building Portraits

by Elena Manferdini pp. 7–16
Building Portraits is a suite of elevation studies developed by Atelier Manferdini for an exhibition at the Art Institute of Chicago in 2015 called Building the Picture and a subsequent solo show at Industry Gallery in Los Angeles in 2016 called Building Portraits. These 42 drawings were produced during the past two years and they explore the potential of intricate scripted line work depicting building facades. The collection exists simultaneously as architectural research and as autonomous artwork. These drawings can be understood as scaled down reproduction of buildings, and at the same time as full scale printed artifacts. The collection plays with the graphic potentials of woven grids and scripted vector lines, while exploring the canonical relationships of shape vs form, ground vs figure, pattern vs coloration, orientation vs posture. The title of the suite Building Portraits alludes to two distinct disciplines, the field of architectural drawings, building, and the one of fine artistic pictures, portraits. This body of work tries to claim a territory where these two attitudes find a common ground, where pixels and vectors get closer in scale of perception.