Archive

Category: Criticism

Image associated with the article: Interview with Kenneth Frampton
Opinion Criticism Open Access

Interview with Kenneth Frampton

by Kenneth Frampton, Yehuda Safran, Daniel Sherer pp. 9–33
Image associated with the article: Architecture in Times of Rebuilding
Book Review Criticism Open Access

Architecture in Times of Rebuilding

by Ute Poerschke pp. 179–184
 Year Zero to Economic Miracle. Hans Schwippert and Sep Ruf  in Postwar West German Building CultureBy Lynnette WidderWith photographs by Thad RussellZurich: gta Verlag 202222 x 28 cm [9 x 11 in.]170 illustrations320 pages€ 52 hardcoverISBN: 9783856764272 
Image associated with the article: Japanese Architecture Returns to Nature:  Sou Fujimoto in Context
Essay Criticism Subscribers

Japanese Architecture Returns to Nature: Sou Fujimoto in Context

by Botond Bognar pp. 7–36
We received and we gladly publish a contribution by distinguished author Prof. Botond Bognar. [MS] ABSTRACT - The essay introduces the development of Sou Fujimoto’s architecture as it has been influenced by various sources and experiences leading to his recently completed and highly recognized major project, the  House of Hungarian Music in Budapest. Among these influences the contemporary economic and political conditions in Japan and beyond, as well as the nature-inspired work of prominent Japanese designers are discussed. Touching upon the seminal work by Tadao Ando and Toyo Ito, the essay also highlights the contrasts and occasional similarities between the so-called “White School” and “Red School” in contemporary Japanese architecture, in referencing nature as the primary source of their designs. Today, these “schools” are best represented, respectively, by the activities of SANAA and Kengo Kuma. Although Fujimoto’s architecture is clearly derivative and part of the radically minimalist White School, the House of Hungarian Music reveals an intimacy and richness in articulating its relationship to the surrounding natural environment, which quality, if perhaps momentarily, points beyond the minimalism of the “Whites.”
Image associated with the article: Bauhäusler and the Second Chicago School of Architecture: Enduring Student Exercises
Article Criticism Subscribers

Bauhäusler and the Second Chicago School of Architecture: Enduring Student Exercises

by Kristin Jones, Zaida Garcia-Requejo pp. 219–241
On March 28, 2019, on the occasion of Ludwig Mies van der Rohe’s 133rd birthday, the Illinois Institute of Technology’s Mies van der Rohe Society displayed an exhibition at S. R. Crown Hall entitled “Stories from the Archives” as part of the larger event theme of “Bauhaus Descendants” in the year of its centenary. The exhibition proposed connections between the Bauhaus and IIT’s school of architecture through a display of archival materials related to the work of the former Bauhäusler Ludwig Mies van der Rohe, Ludwig Hilberseimer, and Walter Peterhans who founded the modernist school at IIT. This paper provides a deeper investigation of the exhibit’s proposed connections and the relationship between the Bauhaus and IIT’s architecture school through the lens of three enduring student exercises: the court house problem, the planning sequence, and visual training exercises. Considering these three exercises in relation to the curriculum that was developed at IIT shines light on a philosophy of architectural education which started in Europe, matured in Chicago and continues to evolve into the future. 
Image associated with the article: Reframing Chicago’s Residential Architecture
Book Review Criticism Open Access

Reframing Chicago’s Residential Architecture

by Robert Weddle pp. 271–276
 Modern in the Middle: Chicago Houses 1929-1975 By Susan S. Benjamin and Michelangelo SabatinoNew York: The Monacelli Press, 2020279 mm x 203 mm325 illustrations296 pages$ 60 hardcoverSeptember, 2020ISBN: 978-1580935265 
Image associated with the article: We are All  Counterinsurgents Now
Essay Criticism Subscribers

We are All Counterinsurgents Now

by Britt Eversole pp. 53–70
The increasing production of robust, information-laden, parametric architectural and urban models has outpaced a critical evaluation of the ethics of contemporary modeling and visualization practices which, rather than reflecting reality, are transforming it. This essay exposes the logics of the expropriation of architectural and urban models in a decade-old RAND Corporation endeavor to envision a comprehensive digital counterinsurgency strategy. To encourage professional and cultural agents, as well as unwitting civilian agents, to populate databases with urban and environmental data, RAND proposed weaponizing open-source, big-data urban models and participatory platforms to create multicultural, user-friendly interfaces. Conceived to appear like an exercise in open-source digital democracy and participatory knowledge-sharing that would spark emotive responses such as pride and fear, RAND focused on the cognitive and affective side of digital participation and information sharing to wage a counterinsurgency in the minds of civilians and insurgents. When the models that architects build can be weaponized to ends other than realizing buildings and cities, when they become instruments for influencing behavior and facilitating warfare, there is an urgent need for an ethics of visualization. 
Image associated with the article: Aldo Rossi:  Representing Life
Book Review Criticism Open Access

Aldo Rossi: Representing Life

by Raffaella Neri pp. 253–259
 Aldo Rossi and the Spirit of ArchitectureBy Diane Y. F. GhirardoLondon: Yale University Press254 mm x 203 mm135 color + 5 b/w illustrations280 pagesUS$65 / £50.00 GBP (hardback)ISBN: 978-0300234930 
Image associated with the article: Giancarlo De Carlo. A Symposium
Conference Report Criticism Open Access

Giancarlo De Carlo. A Symposium

by Sara Marini, Marko Pogacnik pp. 261–278